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[When Kurt Vonnegut tells his wife he’s going out to buy an envelope]

“Oh, she says, well, you’re not a poor man. You know, why don’t you go online and buy a hundred envelopes and put them in the closet? And so I pretend not to hear her. And go out to get an envelope because I’m going to have a hell of a good time in the process of buying one envelope. I meet a lot of people. And, see some great looking babes. And a fire engine goes by. And I give them the thumbs up. And, and ask a woman what kind of dog that is. And, and I don’t know. The moral of the story is, is we’re here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don’t realize, or they don’t care, is we’re dancing animals. You know, we love to move around. And, we’re not supposed to dance at all anymore.”

For Tess

Out on the Strait the water is whitecapping
As they say here. It’s rough and I’m glad
I’m not out. Glad I fished all day
on Morse Creek, casting a red Daredevil back
and forth. I didn’t catch anything. No bites 
even, not one. But it was okay. It was fine!
I carried your dad’s pocketknife and was followed
for awhile by a dog its owner called Dixie.
At times I felt so happy I had to quit
fishing. Once I lay on the bank with my eyes closed,
listening to the sound the water made,
and to the wind in the tops of the trees. The same wind
that blows out on the Strait, but a different wind, too.
For awhile I even let myself imagine that I had died -
and that was all right, at least for a couple 
of minutes, until it really sank in: Dead.
As I was laying there with my eyes closed,
just after I’d imagined what it might be like
if in fact I never got up again, I thought of you.
I opened my eyes then and got right up
and went back to being happy again
I’m grateful to you, you see. I wanted to tell you.

Raymond Carver


…when you left
you took almost
everything.

- Charles Bukowski


Nude Study
When your body and my body
Lie together under a white sheet
Your head on my arm
Your leg thrown over my leg
The whole long continent of you
The pale ridgeline of your ribcage and hip and thigh
Neighbor to me
There is nothing that needs to be explained
Or accomplished, the world is at rest and complete
And though
We drift apart in the eddies of the day
We will find our way back
To the slight hollows that mark the place
Where we lie now, astonished, saying nothing.
Garrison Keillor
Our Conversation
Pure gaze, you are lightning beyond the last trees
and you are the last trees’
past, branching
green lightning
of terminal brain branches
numened densely with summer’s
hunter color, as night comes on,
the ocean they conceal
gone berserk, wind still rising.
Pure seeing, dual vortex doors
to the blue fire where
sex is burned away, and all
is as it was and I am being offered
in your eyes, as in cupped hands,
the water of to never thirst again.
Again I turn away,
and the future comes, all at once
towering around me
on every side, and I am lost.
Pure looking, past pain
(this is promised):
we must have wed on poverty’s most hair-raising day
delighting, flashing risk, risk
unfailingly lighting the way,
anything possible
in that dissolving of seam
between minds,
no more golden time—
each step I took
the right step, words
came to me finally and finding the place
you had set for them,
once again
wrote themselves down.
Till true word’s anvil ring, and
solid tap of winged blind cane come,
I wish you
all the aloneness you hunger for.
That big kitchen table where you sit laughing
with friends, I see it happening.
And I wish that I could not be
so much with you
when I’m suddenly not; that
inwardly you might switch
time, to sleep
and winter while you went about
your life, until you woke up
well,
our conversation resumed.
Ceaseless blue lightning, this
love passing through me:
I know somehow it will go on
reaching you, reaching you
instantly
when I’m not in the way;
when it is no longer deflected
by all the dark bents, all
I tried to overcome but I could not—
so much light pulled off course
as it passed within reach, so much
lost, lost in me,
but no more.
- Franz Wright
THEME BY PARTI